Wednesday, June 13, 2018

Big Hair! Big Dreams! I Designed A Quilt!

Friends, I am so excited! I, a longtime admirer of quilts and quilters have finally made one myself. Not only did I make it, I designed it. I have bought many quilt patterns over the years. I have admired the finished projects, but never had the courage/skill to make my own. With my knee surgery and recovery, it has been awhile since I have entered a contest. Always up for a challenge, when I saw the quilt contest on Pattern Review, I thought it was time to pull out one of those patterns from my stash and finally make one.

I chose a popular and fun pattern, I pulled fabrics, then nothing. I was completely unmotivated and uninspired to cut it out. I took a step back and thought about why I wasn't able to move forward. My conclusion was I couldn't make someone else's quilt when I had one of my own in my head. I have had a quilt design in my head for years, but not being a quilter, didn't know how to execute it.  

I have access to a laser cutter and have been playing with various media, wood, cork, foam and acrylic. Once I calculated the settings to cut fabric, I knew applique was a viable design option to finally make mine. I was inspired and excited to figure out how to do it.

Given my skills, I decided on a quilt-as-you go and applique techniques for mine. 


You may remember that Little Miss was teased by a child on the playground about having "weird" hair. I began designing Natural Hair love, fabric and embroidery designs to remind her of her awesomeness. I have expanded on that theme with this small scale "Good Hair Day" quilt. It features three girls with the fun hairstyles of Afro puffs, an Afro and Dreadlocks. It showcases hairstyling tools and accessories and the words "Big Hair, Big Dreams".

Once I got started, I made many faces in various hairstyles, skin tones and accessories. I was all in! I was on the way to making a king size quilt when I rechecked the rules and discovered the size was limited to 36 inches wide! 

It was a good thing I checked because I didn't know how much work was involved. The fabric blocks are cut to size and quilted to cotton batting. I used various stitch patterns on each block as a testing ground for the techniques. 

The appliques are fused and sewn to the top fabric to create the blocks.


I had a hard time choosing the text for this quilt. We had a long list of text for this quilt. In the end, she went with "Big Hair, Big Dreams".

The appliqued quilt blocks and batting are stitched together to make the top. The quilt is then backed and then bound.

Because this is a wall hanging quilt, I added a rod hanger to the back.

As a first attempt, I am very happy with this! Little Miss loves it and can't wait for her bed sized quilt. There is a fine line between self-awareness and self-deprecation. I see the errors in this process and know it is far from perfect. I will make refinements in the process before moving forward with. I have a gaggle of girls in my sewing room and I am excited to improve on the future makes.

If you would like to see the other entries, and possibly vote for mine, I would appreciate it. Voting is open now! Click here!. 

Thanks and happy sewing,

Monday, June 4, 2018

The Time for Easy Summer Dresses Is Here!


I love the ease of wearing dresses during hot summer days. There is nothing to coordinate, just throw on one piece and go. I am particular about my everyday dresses though, they need to be cool, not fussy and interesting. Here are some flashbacks of my favorites. 

Vogue 9112

Simplicity 1080

Vogue 1410
Simplicity 8793
When I saw Simplicity 8640, I loved it instantly! I knew I wanted to add it to my summer wardrobe.

I was uncertain which length I wanted, so I made a muslin which I show later in the post. After making the wearable muslin, I figured out what I liked and made this black chambray version (available at Nature's Fabrics). It is my favorite of the two so, I will show it first.

The bodice seam lines are wonderful! They are top-stitched for added definition. The neck and arms are finished with facings rather than bias binding. It gives perfect weight and support and visual interest when top-stitched.

The gathered pockets are adorable! Note, they are positioned lower than standard pockets. If pockets for you are a place to put your hands rather than for phone storage, you may consider raising them.

I enjoy the curves at the sides of this interesting hem.

At the shorter length, there is good coverage in the back.


Come on triple degree temps, I am ready!

For my wearable muslin, I went with a blue and white stripe seersucker stripe in the longer length with the added buttons on the pockets.

This pattern has the "not suitable for plaids, stripes or one-way design fabrics" prohibition.

The bodice is bias cut so I thought is would be fun to see how it would look with stripes. I have had this fabric in my stash for years. I am sewing through my stash and with a few exceptions, I want to use what I have on hand.  I enjoyed manipulating the fabric to align the stripes the way I wanted.

 I used my walking foot to help keep things together as I sewed. 

It was not a perfect match, but it was not the pattern predicted disaster.  

Hubby thought the gathered pockets conflicted with the lines of the stripes and suggested I change them. As I have said before, hubby rarely takes a critical and assessing eye to what I make. He just sees me and goodness. A great trait for a husband, but bad for useful creative feedback. I was so impressed that he saw that, spoke up and knew how to fit it! He suggested I flip them to the ungathered lining side and it worked.

I think the the length of view A is too long to be flattering on me. I went with it because I thought it would showcase the curve at the side better. On the chambray dress, I decided the shorter was the way to go. Now that this is blogged and you have seen it, I will likely shorten this one too. 

Both of these dresses will get lots wear in the next few months. It was fast and easy to make and is super comfy. I like it so much, I see a linen version in my future.

Happy Sewing,

Tuesday, April 24, 2018

Old Fashioned and Futuristic At The Same Time? Vogue 1576

Have you ever seen a pattern that touches a special part of your brain, resonating? I always feel that way when I see a slightly weird, unusual or wonky pattern.

Vogue 1576 touched that bit of my brain the moment I saw it. I love the retro '80's feel of the sleeves with the mini length. I was a kid when this look was trending back then. I wasn't in charge of my clothing choices, so I never had the big sleeve clothes. Deciding to buy this pattern when it was released, felt like childishly cheeky rebellion.
Image result for vogue 1576Image result for vogue 1576
I love the color-blocking and seam lines of these fancy secret pajamas. Upon seeing it. I knew immediately it would be a candidate for a hand-sewing project. There are no finished garment measurements for the bust on this pattern. There is also no indication of ease. My rule of thumb on making these jersey projects is to cut based on the finished garment measurements of the bust. When that is not given, I cut my ready to wear size and tweak the seam allowance to decrease or increase where needed. 

I made a stencil featuring mod circles and semi-circles. I chose Black and Natural cotton jersey from Nature's Fabric. I airbrushed gold fabric paint on the top layer of the center panel. (If you do not have an airbrush, Tulip Color Shots, applied in thin coats works well.) 

Next, I put the top layer on the right side of the bottom layer and sewed them together using a running stitch. The button and craft thread is twisted off the spool. I smooth it out with my fingers before stitching. I like to use a sashiko needle because it allows me to load many stitches at a time. After finishing a shape, I tie the ends off with a double knot on the wrong side.

Once the embellishment is sewn on the center panel, I created the applique texture. I separated the top layer from the bottom layer and cut away all but about 1/4 inch outside the painted area.

For garment construction, I deviated from the pattern slightly. I sewed the internal seams on my machine (3.5 stitch length) and after, I topstitched them down by hand, felling them toward the sides. I began with sewing the side fronts to the center front, then stitching the center back, followed by sewing the front to back at the sides. 

The sleeves are hemmed with a simple edge turned under and topstitched. 

All the stitching is time-consuming, but very satisfying. I love the tone-on-tone look on the Natural fabric and the contrast on the Black. 

The dress hem is left raw and will curl slightly in time.

The neckline is finished with a simple bit of bias, folded and stitched to the right side then, flipped inside. The seam allowance is hand- stitched down to keep it from rolling and add interest. 

My husband is my biggest supporter, sometimes to a fault, failing to see issues because all he sees is me. He is usually immediately effusive with praise of all my creations. When I came downstairs to show this dress to him, he was speechless; absolutely dumbstruck! When he gathered his thoughts, he expressed his fascination with this one (and my legs). He felt it was old-fashioned and looked like it was from the future at the same time. He would not have pegged this as a style for me, yet he could see my style all over it. He likes it and is confused at once. I love that!

This pattern is not for everyone. At the time of my writing this post, there are no photos or reviews of anyone having made this. I hope this dress changes a mind or two and someone else makes it. It is comfy, kooky and I think classy. My hand-sewing took a relatively short  two weeks of intermittent stitching. If you want to give it a try, this stencil and my drops stencil are available in my Etsy store and the fabric is a good deal at Nature's Fabric.

I am curious to know your thoughts on this pattern and my interpretation of it. Please be kind! 

Happy sewing,

Wednesday, March 14, 2018

Hand-Dyed Shibori Spring Jacket Using Vogue 1493


Spring is upon us. In Texas, it is that temperamental place where layering is necessary because the day may begin in the 40's and end in the 80's. I have gotten used to wearing jeans and a t-shirt with a lightweight topper to add style and pop to such an uninspired base layer.  


I won several patterns during the Fabric Mart Challenge last year. It was about the same time I saw Meg at Mccalls make up Vogue 1493. I loved her grey version so much I added this to my list. 

Funny thing, by the time the pattern arrived, I had forgotten the inspiration and was certain I had made a typo when sending the pattern numbers on! Did I really want to make this? 
                                                                                                                                                                                                  Image result for vogue 1493
The pattern cover, as made, is not my style. When I checked the line drawings, I as was reminded of what I liked about it. 

                 Image result for vogue 1493
My knee surgery has limited my sewing output, but not my creative energy. The recuperation period gave me some time to dedicate to Itajime Shibori. I took an Indigo hand-dyeing class last summer and learned the basics on small cuts of fabrics. I had a blast and I really wanted to try it on a large scale for garments.

I bought an all-inclusive kit, prepared the dye bath and got to work. For fabric, I used a 10oz. canvas drop cloth from Amazon. Yes, a drop cloth! Being home bound, I was shopping my stash and this was what was available. I pre-washed it with soda ash to prepare it for receiving the dye. While damp, I folded and clamped the fabric with resist boards to prevent the dye from penetrating unwanted areas. 

I dipped and exposed the fabric in the dye bath to get the desired color. It took several hours of dipping, manipulation, air exposure and re-dipping, but I am happy with the result.

I deliberated between dyeing the fabric versus the finished garment. I am glad I went this way. It allowed the pigments to be evenly disbursed throughout the fabric and allowed me to play with print placement of the yardage. 


I really love the overlapping sleeve details on this number!


The weight and texture of the canvas holds the shape really well.


The pattern as made per instructions, is categorized as advanced. Without the bias and flower appliques, I would lower the skill level to intermediate. The only tricky part is the sleeve construction. It is different, but not difficult and worth it.

I also love that this jacket has side seam pockets. That makes this one a real winner for me.

The seams of this unlined jacket are finished with bias tape. It is the perfect treatment for the canvas fabric which has a tendency to fray. 

I have reached for this everyday since making it. It is comfy, artsy and just what I hoped when I started planning. 

I dyed a lot of fabric with my kit. I am still planning what to make with them. I hope the other projects I make will be this awesome.

Happy Sewing,