Tuesday, October 30, 2018

How Many Fabric YoYos Did I Need To Make A Full Length Kimono?

 

Is that a good or fair question? On this side of the answer, I am not so sure. Had I asked that question at the beginning of this project, the answer would have been so daunting, we may never have known! About year ago, on a trip to Austin, my family discovered Austin Creative Reuse, a resale store for makers and creatives. My family of 4 all loved the small store and everyone stocked up on supplies for technology-free entertainment. 


We scored radical savings on our finds, but as the register was being rung, I felt I spent more than I planned. That fact did not turn my eye away from a bag of vintage fabric yo-yos on a shelf nearby. I am a sentimental fool and my heart broke for the person whose incomplete hand-sewn project was donated away. In my head, I concocted a scenario of their sudden tragic unexpected death and grief stricken relatives getting rid of them because of painful memories. (Yes, I know it is possible that the person is alive and well and donated them as a UFO's they were de-stashing, but justify, justify). Anyway, my soft heart could not leave them behind and I added them to my purchases.






Upon inspection at home, I found that the bag contained strips of hand-sewn fabric yo-yos on the way to becoming a blanket and individual yo-yos not yet connected. My initial plan was to complete the blanket, but I found it wasn't functionally practical for the warmth I need for couch cuddling.  I decided I wanted to wear it and found this image of Bjork for inspiration.


Her couture jacket is beautiful and I knew I could make my own version if I didn't overthink it and get overwhelmed by the prospect. The idea was in my head for months, but I did nothing with it because it seemed frivolous and unnecessary. Truly, where would I wear something like that? I have been trying to focus on practical sewing of things that will get daily use. So I set it aside.  

Closet Case Files and True Bias are hosting the #sewfrosting community challenge on Instagram. The goal is to make a bold, brave, inventive garment that is less about the substance of "cake" sewing, and more about the fun and frothy "frosting". The challenge was the prefect time to gather those fabric circles and get making nothing I need, but something I want.  


I used Simplicity 1108 to make the full length version of view C. 

Image result for simplicity 1108

I made it up as I went and was not sure I would write about the process. Frankly, I wasn't sure anyone but me would be interested in wearing, much less making one. Now that it is done and I love it, I can advise you on how to proceed if you want to make your own.


  1. Choose fabrics or scraps to make fabric yo-yos using a Quick yo-yo tool the size of your scraps will depend on the finished yo-yo size you are going for        
  2. Connect your yo-yos to each other at the sides with hand stitches and strong button and craft thread. This will make your "fabric."                                                                                                                                                                                                                                                                                                                                                                                    
  3. Cut a pattern size down from what you would normally. When you make your yo-yo fabric, you will keep the yo-yo's intact at the seams rather than cut them down to fit the pattern. This overhang will give you the extra ease lost in sizing down.  For center back, treat it as a single piece cut on a fold rather than 2 pieces with a center seam.                                                   
  4. As you make your fabric, check your size progress against the pattern pieces                                                                                                                        
  5. Once the fabric has been made to the corresponding pattern pieces, complete construction in the order described in the pattern. Omit the binding/facing and hemming instructions as the yo-yos will serve as the edges. I attempted to complete the construction with hand-sewn seams. I got as far as sewing the top and under shoulder seams by hand. It was time-consuming and as I contemplated my 5'8" frame, I opted to machine sew them.                                                                                                                                  

I prefer the look of the hand sewn yo-yos for the general construction of the fabric. For the  side seams, I am not mad at these machine sewn ones. 


Because of the weight of the kimono, I added a shorter front "collar" of yo-yos to the neckline for more support. The center front is closed with hook and eye closures on 5 sets of yo-yos.                                                                               


                      
I am really excited about this project. I love the artsy vibe and hand-crafted dedication that went into each little circle. I can imagine fabric scraps from completed garments, being collected in a basket more than 40 years ago; remnants of treasured garments made with love.  I know this kimono wasn't the original makers' plan, but I hope they would appreciate what I have done.

                   

This will be a Fall staple for me as the temperatures begin to drop. 


I will be at Quilt Market and Festival this week and next. I doubt I will be hard to spot in my coat of many colors, my wind blown Afro and my "Hell yeah! I made this!" strut.
  

Back to the original question, how many fabric yo-yos did I use to make a full length kimono? For this piece, FOUR HUNDRED AND SEVENTY SIX! 476! FOUR HUNDRED AND SEVENTY SIX! 476!




If you are going to make one, I wish nimble fingers and happy sewing!
Bianca

Thursday, October 25, 2018

Spruced Up Waxed Canvas Jacket

                      
                         

Have you sewn with waxed canvas before? I love the look if it on bags and jackets and bought some wax with the plan of treating fabric to make my own. The wax and fabric have remained untouched in my sewing room since December waiting for the motivation to begin the work.


                                 
         
Fabric Funhouse, my source for cork fabric, now sells high quality waxed canvas in a range of colors.  

                                      

I was approached by the company to make a jacket for their booth at the upcoming The International Quilt Festival in Houston. Because they are awesome, I agreed. I could not decide which color I liked best, so I asked them to surprise me with whatever they wanted. They chose well and I was sent the fabric in a rich garnet color. It is a color I love and wear often in my lipstick.

As you all know, I love fabric painting and bold prints; I rarely wear solid colors. I read on the website that the "wax does not transfer or migrate onto other fabrics, leathers and your designer linings." This gave me the idea that the wax permeates the fabric, rather than sit on top of it. I figured it would respond favorably to stencil painting. It was a risky proposition because typical printed waxed fabrics have the wax added after the print is laid. After a couple of successful test swatches, I was convinced I wanted to do it.

I usually like to airbrush paint my fabric. In anticipation of readers wanting to try this technique, I opted for a more accessible paint method. I used 4 cans of Tulip Color Shot Fabric Paint in Pewter Shimmer. It is available on amazon and in craft stores. If you follow me on Instagram, you know the saga and my hoarding of this now discontinued color.


I painted the design of my new Cobbles stencil on the cut fabric pieces of a modified Simplicity 8298. To maximize efficiency, I stitched three of my felt stencils together along the long edges to make a larger stencil. I applied a light layer spray adhesive to the back of the stencil before setting it on the fabric. This helps give sharp edges to the motifs and prevents paint for getting under the stencil during spraying. The paint was applied in multiple light layers to give even coverage. After completing an area, I re-positioned the stencil, covered the already painted area and continued painting until done.

When working with waxed canvas, special considerations are needed. A full list of care and considerations can be found here, some bullet points are below:
  1. Expect creases, cracks and texture on the fabric surface
  2. Use clips, not pins to hold your fabric
  3. Use a press cloth and clapper if you must press it
  4. Press on medium heat
  5. Use a size 100/16 or 100/18 needle
  6. Use at least a 3mm stitch length and heavy duty thread
  7. Clean your machine to remove any build-up after and replace your needle                                          
As I mentioned, I modified Simplicity 8298 for this jacket. It is written for  pre-quilted fabrics, but I liked the simple shape and minimal seam lines so I tweaked it to work for this. I opted to make a lined version of view C with the length of view A. I added side seam pockets instead of the visible ones given.

                      Image result for simplicity 8298

I basically made an exterior from the canvas and another from a basic black broadcloth. I get confused every time I do it, so I refer to the bagged lining method demonstrated on this blog


It makes for a clean finish on the inside and out.

 
I am really pleased with this jacket! I tested it on a rainy day and its water repellent qualities worked like a charm! The paint is durable and was worth the gamble. I feel like stencil painting opens up so many design possibilities with this fabric.

 

I cut the size medium based on my measurements. Because I did not use prequilted fabric and the stiffness of the canvas, I think it looks a smidge too big in these photos. That being said, it feels comfortable to wear and I am certain with fall layering it will be fine.  


If you will be at Quilt Fest, you can see this jacket close up at the Fabric Funhouse booth. I will be out and about when not helping at The Paradiso Designs booth (947). If you see me, please say hello. 

Happy Sewing,
Bianca

Monday, August 27, 2018

Fabric That Makes Me Change My Social Plans.

On one hand, I get frustrated with not having a life to wear the clothes I want to make. On the other hand, I cringe at the introductory awkwardness and small talk involved in participating in social events. I recently received an invitation to an event by a casual acquaintance. My initial (and usual) reaction was to RSVP "Thanks, but no."

Within a few days of receiving and mentally rejecting the invitation, I  got some happy mail from Nature's Fabric. The moment I felt the super soft double brushed poly (DBP) fabric, I decided to accept the invitation. I needed to wrap my body in this wonderful stuff! I wanted to make a pretty dress and was excited to have a place to wear it.  



I have six yards of this yummy fabric in two colorways. For my first project, I chose to use McCalls 7654, a "Create it" pattern that lets you mix and match the elements. I used the bodice of view B and the skirt of C.
                                     
     
   

This was my first time sewing DBP fabric so I treated it like any other knit fabric. I pre-washed and dried the fabric prior to cutting with a rotary cutter and mat.  For construction, I used a ball point needle, serged the seams, and pressed seams with steam as I went along. I had no issues with the edges lettuceing, or snagging of the fabric as I sewed. 

The pattern calls for interfacing to stabilize the bodice and a zipper closure. Because of the stretch, I omitted them. To keep the dress up, I added an elastic casing to the upper front and back between the dress and lining.


I kept the interfacing at the top of the sleeves and with movement, this dress is not going anywhere. It is so comfortable and I love these sleeves! They balance the close fitting body and bare shoulders without me feeling self-conscious, 


If making a knit version, it is an easy pattern to make with no complicated steps. It is a good "next step" pattern for a newbie sewist. It includes darts and a lining, but that is as challenging as it gets.


I love this dress! It is just what I had in mind when I felt the fabric. It feels soft and cozy while having body for this project. I don't think I will be able to wait until that event to wear this, date night here we come.



Happy Sewing,
Bianca




Monday, August 13, 2018

New D.I.Y Felt Embroidery Kits Now Available in My Etsy Store!


I am so excited to share my new iteration of my Afro Diva and Puff Diva designs. They are now available in my Etsy store as laser-cut felt embroidery kits.  


The kits are available in floral embellished Afro or Afro Puffs. The designs can be further customized with a range of skin choices and sunglasses color.








The kits include background fabric, felt, coordinating embroidery floss and a needle. A basic stitch guide is included as well as suggested stitches to use. I love that each maker can put their own spin on the design. It can be used with the flowers or without. Add freestyle design stitches to the elements to make it your own. Use the included colors of floss or mix it up with your own.


Do you want to order a large quantity for a girls night out, a slumber party or sorority event? Do you want custom flower, hair or floss colors? Do you want stock for your store? Email me here so we can discuss it.

Happy Sewing,
Bianca

Tuesday, July 31, 2018

On Newsstands Now!

Extra! Extra! Read all about it! 

If you follow me on Facebook or Instagram, you may have seen this and know how excited I am. My print publication debut can be seen in the Aug/Sept 2018 issue of Sew News magazine! In it, I give instructions on how to paint fabric with flour resist. I demonstrate the technique and used the fabric to make an Urbanista Hobo Bag (blue stripe with silver pleather bag) and a self-drafted bag with leather straps (grey and tan strap). 


I did not know what to expect with this publication process when it began. After the contract details were worked out, I was required to write the article and submit the finished pieces to the magazine. I was unaware of the the creative decisions that would be made or how the project would be presented. I am so delighted with the end result.  When you pick up your copy, let me know what you think. 

This will be one of many articles I will write for the magazine. If you don't have a subscription, be sure sign-up so you don't miss any of the great writing and featured patterns. 

Happy Sewing,
Bianca