How is your sewjo lately? The worldwide pandemic, systemic racism in America, virtual school and working from home have all played a part in diverting my sewing energy. I have kept up with my work-related sewing, but my making for fun has slowed. The response within the sewing and craft industry surrounding the Black Lives Matter movement after the murder of George Floyd by police, has dulled my usual enthusiastic making. In recent months, I have no interest in supporting businesses with my time and money if they are neutral on the issue of racial equality.
I started looking at sewing patterns and fabrics in my stash with fresh eyes. I withdrew from, and declined some opportunities based on the business' and in some cases, the designers' public stance on race. When the Riley Blake blog tour for "Create" by Kristy Lea was announced, I somehow missed it. When I discovered it later, I was immediately drawn to the bold color and geometric shapes of her first collection.
I immediately performed some social media reconnaissance to see what this Australia based artist was about. I liked what I saw of her work and her response to the racial upheaval she was witnessing in America. She used her voice to shine a light on similar racial issues in her country and raised money to affect change there. She was clear in her message to her followers that Black Lives Matter. I was motivated to support her line and contacted Riley Blake Designs to be added to the tour.
I requested Black Create Geo Gems and when it arrived, I wanted to cover my body in it! I am not buying patterns now, so I hit my stash to find my tried and true woven caftan pattern (Butterick 4201).
I love the simple lines and single sizes of retro patterns. It makes cutting and constructing them a breeze. I like a rotary cutter, cutting mat and my pattern weights to zip through this step.
I made a few, slight adjustments to the pattern that required an assortment of notions and tools I had on hand. I have linked them here for your information if you want to purchase from your preferred retailer. If you choose to purchase from the affiliate links, I will receive a nominal fee as an Amazon Associate and Kraft-tex ambassador.
Instead of the three ties at the front, I switched those for a laced-up front and pressed lapels. I used my expanding seam guide to mark the placement of the holes.
I installed them per the instructions of my heavy duty grommet setter.
I made a 1/2in. wide fabric tube that I turned with my vintage Fast Turn loop turner.
The simple details of this dress gives some fun interest.
The sleeve has a turned up cuff that I accented with a single grommet.
When flipped down, gives a fun geometric twist.
My previous versions of this dress (Ankara, cream linen, blue linen and for my friend Hillary) had a few inches of wearable ease. I liked the airy feel of it, but I wanted the option to cinch some of that in at the back. To do this, I simply added spaghetti ties, made the same way as the lacing tie, to the side seams.
The Kraft-tex color for the month of August was Greenery. I used it to make a fun grommet studded clutch to coordinate with this dress.
After making my dress, I looked at the remnants on my cutting table and couldn't swipe them into my scrap pile. On their own, none of them were big enough to make something significant, but, pieced together, there were possibilities. I used various lengths of colored piping to join the random scraps of fabric. The result was enough to make the front panel of an insert for my Now You See Me Tote Bag.
This dress and bag in this fabric, with these patterns, makes me smile. Considering all that is happening in the world around us, I count that as a win.
In the vinyl tote
On its own
The piped panel was made by sandwiching piping between the raw edges of the right side of two fabrics and sewing it in place. I repeated with more piping until the panel was the desired size and finished the insert per pattern instructions.